FIRST-SPHERE TRMA? No. It said “first-sphere trivia”. But that took me a while. Since I didn’t know keyblades featured in Kingdom Hearts I didn’t know they’d count as trivia.
That half-moon window is off in a couple of ways. It can’t be the door’s opening (wrong size, wrong bar placement, too big) but there wasn’t any previous indication of a window in the cell. And a halfling could slip through those bars without the use of a key.
No, that can not be right. The pattern around the window is different than the one around the window door. Also, judging from the height of the door window and the angle, from which the other window and halfling are seen, he would have to be about the priestess’ height away from the door. But that would mean having a big cell and him not really talking to the window.
It is true that the pattern of wood is not drawn consistently (unless there is a different looking interior pattern than the exterior pattern). But otherwise I think the distinctions can be explained by the camera position and steep viewing angle. The camera is so close to the door window that the 3rd bar is out of view and the space between them is visually magnified.
Yeah, it’s a really, really steep camera angle with the camera almost touching the door. I didn’t remember seeing any windows, nor would there be with it being so locked down against everything. The difference in wood pattern is focus and other side of the door reasonably.
A bit odd, but gotta agree can’t argue with results…
So, it seems Ardell is leaking out? Makes as much sense as anything else in the comic.
I’m genuinely glad to see he’s still in there and has some agency, rather than being wholly absorbed or a prisoner in his own body.
Interesting. This appears to be more of a soul cohabitation.
FIRST-SPHERE TRMA? No. It said “first-sphere trivia”. But that took me a while. Since I didn’t know keyblades featured in Kingdom Hearts I didn’t know they’d count as trivia.
That half-moon window is off in a couple of ways. It can’t be the door’s opening (wrong size, wrong bar placement, too big) but there wasn’t any previous indication of a window in the cell. And a halfling could slip through those bars without the use of a key.
That’s the window on the door from the first panel. And the bars look wider than they really are because it’s in the foreground.
Remember, it’s being viewed from an angle in the last couple panels so the bar placement looks different.
No, that can not be right. The pattern around the window is different than the one around the window door. Also, judging from the height of the door window and the angle, from which the other window and halfling are seen, he would have to be about the priestess’ height away from the door. But that would mean having a big cell and him not really talking to the window.
It is true that the pattern of wood is not drawn consistently (unless there is a different looking interior pattern than the exterior pattern). But otherwise I think the distinctions can be explained by the camera position and steep viewing angle. The camera is so close to the door window that the 3rd bar is out of view and the space between them is visually magnified.
Yeah, he’s not actually standing near the door. That’s just where the POV is. If this were a movie, the bars would be slightly out of focus.
Yeah, it’s a really, really steep camera angle with the camera almost touching the door. I didn’t remember seeing any windows, nor would there be with it being so locked down against everything. The difference in wood pattern is focus and other side of the door reasonably.
Everyone is forgetting about the bench that is next to the door. After all it looks like the hand it “tapping” on the bar to get his attention.
It is very possible that he moved the bench over to look out the window as they dragged Magda away.
His hand is tapping him on the shoulder.
“His only weapon is his tongue.” And his pickpocket skills courtesy of the body’s original inhabitant.